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The Jungle Book

1967 "The Jungle is JUMPIN'!"
7.6| 1h18m| PG-13| en| More Info
Released: Adventure, Animation, Family
Producted By: Walt Disney Productions
Country:
Budget: 0
Revenue: 0
Synopsis

The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.

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Genre

Adventure, Animation, Family

Stream Online

The Jungle Book (1967) is now streaming with subscription on Prime Video

Director

Wolfgang Reitherman

Producted By

Walt Disney Productions

Trailers & Images

  • Top Credited Cast
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  • Crew
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Phil Harris as Baloo the Bear (voice)
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Sebastian Cabot as Bagheera the Panther (voice)
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George Sanders as Shere Khan the Tiger (voice)

Reviews

FeistyUpper

If you don't like this, we can't be friends.

Intcatinfo

A Masterpiece!

Curapedi

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Fatma Suarez

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Pjtaylor-96-138044

'The Jungle Book (1967)' has an odd sort of structure, or lack of it, which leads to a lax pace and utter absence of urgency thats's evocative of an overall aimless experience. In the end, it's a somewhat lazy - and, indeed, somewhat lazily put-together (see the multiple pieces of readily apparent reused animation, sometimes just minutes apart) - slumber through extended but unexciting set-piece after set-piece that actually seems in dire need of a proper 'story' - that is, one with character arcs, proper conflict, rising tension and generally more traditional 'beats' - regardless of how closely if follows the events of its source material. The picture isn't devoid of merit, however, as it is a traditionally animated Disney movie and, no matter how stuffy or stiff it seems or how obvious its 'corner cutting' is, there's always a general sense of an unshakable charm, a feeling that the flick is a free-flowing story-book come-to-life like most of the studio's attempts usually are. A couple of song-and-dance scenes stand out not for their narrative merit - or even, particularity,