Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
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The Help (2011) is now streaming with subscription on Prime Video
Tate Taylor
DreamWorks Pictures
Listonixio
Fresh and Exciting
FuzzyTagz
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Ezmae Chang
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Fatma Suarez
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
davreesha
When I was in high school, my Speech Teacher/Forensics Team Coach gave me this book to look for monologues. He told me that it was a great read, too! However, I didn't want to read it or find a monologue within it. I let my sister borrow it, and I returned it back to him. My sister loved the book! Then, they made the movie... Boy, I kicked myself for not reading it or finding a monologue.
Leofwine_draca
THE HELP is one of those feel-good Hollywood productions that always makes me feel cold inside instead. The sentimentality is overbearing and the shrill performances extremely off-putting to this viewer, with Bryce Dallas Howard and Jessica Chastain making me want to switch off every time while they're on screen. The film seems to have been made to assuage white guilt and looks at the plight of black maids in the American South during the 1960s, where they were regularly bullied and treated as lessers during the civil rights era. Viola Davis and Octavia Spencer give well judged performances but the story feels padded out and lifeless at times; it really didn't need to be two and a half hours long. Emma Stone's grating character gets too much screen time and seems a bit dim while the decent into bad taste humour at one point is something I couldn't forgive or come back from.
